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・ Shock Theater
・ Shock therapy
・ Shock therapy (economics)
・ Shock therapy (psychiatry)
・ Shock to the System
・ Shock to the System (Billy Idol song)
・ Shock to the System (film)
・ Shock to the System (Gemma Hayes song)
・ Shock Totem
・ Shock Trauma
・ Shock Trauma Air Rescue Society
・ Shock Treatment
・ Shock Treatment (1964 film)
・ Shock Treatment (1973 film)
・ Shock Treatment (1995 film)
Shock Treatment (Don Ellis album)
・ Shock Treatment (Edgar Winter album)
・ Shock Treatment (Krizz Kaliko album)
・ Shock Treatment (TV series)
・ Shock troop
・ Shock Troop (film)
・ Shock Troopers
・ Shock troops
・ Shock Troops (album)
・ Shock Troops (film)
・ Shock tube
・ Shock tube detonator
・ Shock value
・ Shock Value (album)
・ Shock Value (book)


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Shock Treatment (Don Ellis album) : ウィキペディア英語版
Shock Treatment (Don Ellis album)

''Shock Treatment'' is an album by trumpeter Don Ellis recorded in 1968 and released on the Columbia label.〔(Don Ellis discography ) accessed May 27, 2013〕
==Reception==

Rolling Stone writer John Grissim wrote on the album's release that "''Shock Treatment'' isn't really. But it does offer ten tightly arranged compositions notable for brassy melodic lines superimposed on a rhythmically complex percussion base. The album's desirability as an addition to a record collection is largely dependent upon whether you have a taste for a big band sound".
The Allmusic site awarded the album 3 stars stating "Don Ellis was such a talented trumpeter, composer, and organizer that everything he recorded as a leader has at least some unusual moments worth exploring. His big bands were characterized by big brassy arrangements, odd meters that somehow always swung, lots of trumpet solos by Ellis, and an often visceral excitement. Although not equal to his best records such as ''Electric Bath'', this late recording of Ellis' band is filled with all these traits, and thus exudes lots of excitement and electricity".〔Loewy, S. (Allmusic Review ), accessed May 27, 2013〕 ''The Penguin Guide to Jazz'' said "There are signs that Ellis was moving in a more commercial direction at this point, perhaps aware that jazz was still losing ground to pop and rock, though he must have known that as long as popular music was dance-driven it was unlikely that his work would have a major market presence".

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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